White Arrows play Revolution Lounge on Dec. 7

It’s a bittersweet outlook for December’s live music. On one hand, there’s some killer stuff (Nine Inch Nails, anyone? Bloc Party? Wu Tang?!) coming to Las Vegas, and on the other hand, a number of shows scheduled for Jillian’s are homeless, as the venue has officially closed. Some shows have been moved to the House of Blues, others to The Box Office (1129 Casino Center Blvd.), but some are just … up in the air. But the all-ages music scene in Vegas is not dead yet, as the Alley Theater is slated to return soon to the valley. Or, so says its MySpace page. Keep your eyes posted to this space in the future for more on that. Until then, here are some shows that have not been canceled for December (yet…):

Tuesday, December 2
Wasted Space: Zerofingers, The Vermin and Guilty by Association at 10 p.m.

Wednesday, December 3
House of Blues: Five Finger Death Punch with In This Moment and Broken End at 5 p.m. $15, all ages.

Friday, December 5
The Joint: Tesla with Cinder Road at 8 p.m. $35.
Wasted Space: Velicious at 10 p.m.
Wasted Space: Conflict of Interest, Bydeathsdesign at 10 p.m.

Saturday, December 6
House of Blues: Hot 97.5’s OMG Jingle Jam featuring Pleasure P., Bobby Valentino and DJ Unk at 2 p.m. $9.75 – $19.75, all ages.
House of Blues: Wu Tang Clan at 8 p.m. $37 – 55, 21-over.

Sunday, December 7
Wasted Space: All-American Rejects, Jetlag Gemini and The City Lives at 10 p.m. $22.50
Revolution Lounge: White Arrows, DJ InMusicInLove at 10 p.m.

Tuesday, December 9
Wasted Space: CSS at 10 p.m. $15.

Wednesday, December 10
House of Blues: Anthony Hamilton at 7:30 p.m. $27 – 40, 21-over.

Thursday, December 11
House of Blues: Gary Allan at 8 p.m. $40-60, 21-over.

Friday, December 12
The Joint: Area 107.9’s Big Damn Holiday Jam featuring Bloc Party, Franz Ferdinand, The Ting Tings and Carolina Liar at 7 p.m. $39.50 and up.
Wasted Space: Jesse Dayton at 10 p.m.
House of Blues: Gary Allan at 8 p.m. $40-60, 21-over.

Saturday, December 13
Wasted Space: Jesse Dayton at 10 p.m.
Theatre for the Performing Arts (Planet Hollywood): Nine Inch Nails at 8 p.m. $54, $64 and $79.
House of Blues: Smash Magazine’s 5th Annual Birthday Bash Celebration featuring Escape the Fate, Seventh Plague, Destruction of a Rose and Eyes Like Diamonds at 5:30 p.m. $15-17, all ages.

Sunday, December 14
Revolution Lounge: Super Sonic Jets and The Hanks at 10 p.m.

Tuesday, December 16
House of Blues: Suicidal Tendencies with Death By Stereo and Whole Wheat Bread at 6 p.m. $17-20, all ages.

Thursday, December 18
House of Blues: Lamb of God with Job for a Cowboy and The Faceless at 5:30 p.m. $22-25, all ages.

Friday, December 19
The Joint: Xtreme Radio 107.5’s Holiday Havoc ‘08 featuring Papa Roach, Hoobastank and Hollywood Undead. $29.50 and up.

Saturday, December 20
House of Blues: Appetite for Destruction and Back In Black at 8 p.m. $13-15, 21-over.

Sunday, December 21
Revolution Lounge: Aerodrone and The Anix at 10 p.m.

Sunday, December 28
Revolution Lounge: Devil Doll at 10 p.m.

Monday, December 29
House of Blues: Girl Talk with Dan Deacon at 7 p.m. $17-20, all ages.

Tuesday, December 30
House of Blues: Ratt at 7:30 p.m. $30-35, 21-over.

Wednesday, December 31
House of Blues: Akon at 10 p.m. $125-175, 21-over.

We’re going to deviate from the typical, one-sided, subjective album review you’ve come to know and hate for this latest studio effort from Las Vegas’ own The Killers in favor of something far more interesting: a two-sided, subjective album review. Today, VEGASinsight’s Pj Perez welcomes special guest Roger Erik Tinch, art and online director for the CineVegas Film Festival, as we present two very different takes on Day & Age, which hits stores in the United States today.

Pj: As usual, The Killers keep Day & Age lean, with only 10 tracks over 41 minutes (not counting the bonus tracks which we media types don’t get to preview). But that doesn’t mean they’ve cut the fat musically. Rather, the boys from Sin City try to cram so many different sounds into not only the album but each song – from dance to funk to Latin to rock to pop – that it seems along the way they just forgot to write a good song. It feels as though The Killers are overreaching even more than on Sam’s Town, whereas they’d be best off stripping back the horns and orchestral overtones and simply scratching out some palatable hooks and melodies.

Roger: OK, do some of the songs rip off The Clash? Sure. But four (three studio) albums in and the band is stilling putting together fully encompassed songs, unlike some of my other favorite bands, Coldplay and Radiohead. They rip from the playbook of The Beatles (yes I said it) and make rhythmically catchy tunes on top of seemingly simple lyrics that get more complex the digger you deep. Is it their best album? No, that is still reserved for Sam’s Town, a dystopian cowboy’s guide to the desert. But it is once again a cohesive album that raises the bar on their musical eclecticism without fully changing their “sound.”

Let’s look at the album, song by song:

“Losing Touch”
Pj: Hmm … it sounds like E.L.O. I guess I’m biased against ’70s retreads but totally alright with ’80s do-overs, as I very much enjoyed The Killers’ debut, Hot Fuss. Come on, if you’re going to dip back into the ’70s, at least make it David Bowie or Iggy Pop or, hell, go the Billy Joel route.
Roger: A great introduction to a new sound from The Killers. Pay attention to the sax as that’s the driving force behind the intriguingly fresh soundscape for the lads.

“Human”
Pj: By now, we all know this first single from the album, whether or not we like it. The scary thing is, as bad as this song sounds as a single compared to great, early Killers tracks such as “All These Things That I’ve Done” or “Somebody Told Me,” it sounds surprisingly refreshing next to the rest of Day & Age, even if it easily could have been recorded by Erasure 25 years ago.
Roger: This is a quintessential Killers track. Catchy rhythm: check. Catchy hook: check. Aural use of synths: check. It’s just a beautiful song that has as much of a timeless sound as it does a space age-y feel.

“Spaceman”
Pj: Tempo: Good. New Order-ness: Good. Brandon’s voice: Bugging the crap out of me for some reason. This new, near-falsetto whine just doesn’t work here. And every time I’ve seen the band – which is after and in between every album – he can’t pull it off live. Not a single—sorry, Island.
Roger: Speaking of space, this just rockets you into the atmosphere. Just try not singing along and rocking out to the “Spaceman says everyone look down” chorus. Definitely works as a second single. Sizzles with energy and has a kinetic force that builds to the last note.

“Joy Ride”
Pj: This is actually pretty enjoyable. I mean, I like funk. I like disco. And Flowers isn’t whining. It kind of reminds me of “Station-to-Station”-era Bowie. I’d pick this as a single over “Spaceman,” but then again, it still sounds too locked in the ’70s to really make it, especially not on alternative radio. ’80s disco they like – ’70s, not so much.
Roger: See, this track just screams The Clash to me. Maybe it’s just my “London Calling” obsession. Anyhow, it’s amazing how it dips into a ’70s vibe, then out to acoustic guitars, then back into a groovy saxophone bridge. This is another example of the band extending its sound brilliantly.

“A Dustland Fairytale”
Pj: Oh look, ethereal, piano-driven storytelling pop. That’s not ’70s at all. Hey, Meatloaf just called about his royalties for “Paradise by the Dashboard Lights.”
Roger: This one is all about Brandon Flowers’ lyrics, backed by some wonderful orchestral strings. It’s the power ballad of the album for sure, and also an example of the band’s knack for creating fully encompassed songs formed with cohesion from beginning to end. No such thing as “filler” tracks for this band.

“This is Your Life”
Pj: Bass line from When in Rome’s “The Promise” … weird tribal chanting … “Chariots of Fire”-like synthesizers … it now occurs to me The Killers are the live equivalent of a mash-up DJ. And it’s not pretty.
Roger: This is less of a mash-up and more of an aural journey, as was the previous track. I am constantly amazed by how many different sounds a song can have and how easily they ebb and flow throughout. It never sounds forced and keeps a sense of unpredictability that you seldom find in many songs today.

“I Can’t Stay”
Pj: I don’t even know what to say at this point. I think I’ve lost such interest. It’s … um … please never play this live, guys. When The Cure tried the whole quirky Latin and jazz influences, it worked — see “The Lovecats” or “The 13th.” This just doesn’t.
Roger: Come on, this is just a light and fun track. Let the boys break out from the guitars and synths every now and again.

“Neon Tiger”
Pj: Here we go, back to that Sam’s Town Springsteen-iness … without the hooks.
Roger: The band never forgets its Vegas roots and with each album, The Killers have a track that reinforces that. This is that track. Not the strongest song on the album, but then again, even their worst songs are better than some band’s best songs.

“The World We Live In”
Pj: I am tapping my toes. Man, I love Hall & Oates. Oh wait … it’s not H&O … it’s INXS. It’s … hell, I don’t even know at this point.
Roger: I love it every time they bring in the orchestral strings and horns. As close as to Coldplay as they’ve ever gotten. I dig it because there is a genuine earnestness on display here. Flowers writes from the heart, irony be damned.

“Goodnight, Travel Well”
Pj: And here, at the end, clocking in at 6:51, is the absolute best song on the album, a slow-building, tempered, epic song that feels like a live band and not a jukebox, with Flowers sounding earnest as he repeats “there’s nothing I can do now.” Why can’t there be more like this?
Roger: Coming on the heels of Death Cab for Cutie’s nine-minute epic “I Will Possess Your Heart,” this also takes the dramatic route in length, but with a thunderous build that poetically creeps along. Before you know it, the track is over and so is another solid album from The Killers. That four for four in my book!

And there you have it, kids. If you want to form your own opinion of The Killers’ latest opus, we recommend heading on over to Amazon.com, where you can buy Day & Age for only $3.99 this week. Why pay more?

It’s 3 p.m. on Wednesday, and two dozen kids are at the House of Blues Las Vegas inside the Mandalay Bay resort and casino waiting for the doors to open. Small groups of young music fans continue to arrive, turning the floor into a sea of black T-shirts with random smatterings of Fruit Loops colors – pinks, blues, yellows and purples flash when someone turns around or lifts an arm to wave to a friend.

In two hours, these kids will fill the House of Blues, but for now, the venue is almost empty as I walk to the backstage area to meet Saosin, the California-based band second-billed on a tour with headliner Underoath, The Devil Wears Prada and The Famine.

Saosin guitarist Beau Burchell relaxes in the band’s RV as bassist Chris Sorenson chops onions and peppers for pre-show guacamole. A fan gave Sorenson a cookbook a few days before but this recipe is one of his own creations.

“Some bands are scared to meet their fans. They’re kind of creepy sometimes,” Burchell said. “But ours aren’t that way.”

Before this tour, Saosin brought the fans into their work. In a deal with clothing brand Hurley, Saosin agreed to stream video of the recording process on the web.

“We’re kind of breaking the taboo about how a record gets made,” Burchell said.

Sorenson agreed, while still keeping his eyes on the project at hand.

“No one knows how much nothing goes on,” he said. “It is a process, but it isn’t always ‘finish one thing then on to the next thing.’ The cool thing is that we did everything ourselves. Fans got to see us move the mikes and get into a giant drum circle.”

Burchell smiles like he just found the best way to explain the situation.

“It’s like my own brother,” he continues, “Just because his brother is in a band, you’d think he might know more about what goes on. Unless you are in the band, you really don’t know.”

Letting fans into the studio was something designed for the few who are truly interested in the process and not much else.

“We’re making a record, not reality TV,” Sorenson said. “It’s not something we advertised a lot, but was mostly for the core fan base.”

“It’s not for every band,” Burchell said. “It can be easy to get caught up in things when you are in the creative state. You just need to stay focused.”

Most bands wouldn’t want their rock star lifestyles broadcast and viewed 100,000 times a week, but this was never a concern for Saosin.

“We can’t be the band that is getting drunk and being self-destructive,” Sorenson said. “It’s not really a problem for us. We’re not shitty people.”

For all the lack of pretension, the fans that have filled the House of Blues on this autumn evening accept Saosin as bona fide rock stars. They get applause almost equal to top-billed Underoath, and finding someone not singing along during Saosin’s set is difficult. Vocalist Cove Reber works the crowd as though he’s been doing this for two decades and not just five years. Burchell and Sorenson have the rock god posing down, but there is a humor in their eyes that lets fans in on the joke. Guitarist Justin Shekoski performs with an air of mystery around him, rarely looking up and seemingly engrossed in the music. Drummer Alex Rodriguez keeps everyone in time and up to speed.

And it could all be different.

“There’s an urge to go out and be the heaviest band we can be,” Sorenson said. “But that’d be too easy. Besides, we’d never be heavier than The Famine.”

Even without being as heavy as they can be, Saosin manages to keep up the energy level deep into the tour.

“It’s just the kids,” Burchell said. “If I know there are kids out there that waited to see us and are giving 110 percent to us, I feel bad if I can’t give 110 percent to them.”

The kids even get loud for two new songs: “Secrets” and “Lovemaker” are currently only available on Saosin’s tour exclusive EP The Grey.

“Whatever song gets the most from the crowd each night is our favorite song to play,” Burchell said.

Often, that song is “You’re Not Alone,” a ballad that could easily be the anthem for a new youth movement. Anything that can bring this many kids—and a few of their parents, thanks to the House of Blues’ rules stating that anyone under 16 must be accompanied by a parent or guardian—together can’t be a bad thing.

“It’s worth playing when you see the same guys who were just in the mosh pit beating each other up now arm in arm,” Sorenson said.

And that is exactly what happens. Pierced and tattooed tough guys calm down, start singing and get into the moment. A father and daughter wearing matching As I Lay Dying T-shirts hug each other.

Maybe this will become a prom night song and maybe Saosin will be the band with which these kids grow old. Right now, only one thing is for sure:

“There are no silent moments,” Sorenson said.

RELATED GALLERY

The Faint gets kids bouncing. That’s as good a summation of any Faint concert as I can offer. I’ve now seen the Omaha, Neb.-spawned quintet twice, both times at the House of Blues Las Vegas, and each time, the result is the same: 250 or so hipsters in skinny jeans gyrating on a packed dance floor, arms flailing and hands clapping.

There’s absolutely nothing wrong with that, and as proven during its 18-song set Sunday night, The Faint delivers consistently, pumping out its not-quite-unique-but-always-welcome mash-up of electronic buzz, punk energy and new wave aesthetics. With lead singer Todd Fink getting his freak on via a mad scientist get-up complete with white lab coat and goggles (paging Dr. Horrible, Dr. Horrible to HOB), the band tore through a nearly gapless set spanning its five-album career.

Following a fun and engaging set from identity-confused rapper Kool Keith (or Dr. Dooom, or Dr. Octagon, or …), The Faint kicked things off with signature song “Agenda Suicide” and didn’t stop writhing or spaz-dancing for 14 more songs. Though the band’s tracks tend to blend after a while, that isn’t really a problem at a Faint concert, because their fans come to boogie, not take notes. And older fare such as “Worked Up So Sexual” and “The Conductor” found as much positive reception as cuts from the band’s latest album, Fasciinatiion, including “Get Seduced” and “Machine in the Ghost.”

Disappearing for a break after “I Disappear,” The Faint returned to the stage after a few minutes of the sweaty crowd chanting “one more song,” delivering songs such as “Birth” and “The Geeks Were Right” before returning to the robotic hibernation chamber from which this Midwest band emerged. We think.

Is it really almost Halloween already? It seems like just yesterday we were telling you about summer festivals and Labor Day events. Sigh … I guess we had better roll out the list of November musical concerts and events now, based on your Google search demands:

Saturday, November 1
Jillian’s: One Pin Short with guests at 6 p.m. $10, all ages.

Sunday, November 2
House of Blues: The Faint, Dr. Dooom (aka Kool Keith) and Mika Miko at 5:30 p.m. $17-20, all ages.

Monday, November 3
Jillian’s: Jedi Mind Tricks, Outerspace and Reef the Lost Cauze at 6 p.m. $17-20, all ages.

Tuesday, November 4
The Joint: The Blackest of the Black Tour featuring Danzig, DImmu Borgir, Moonspell, Winds of Plague and Skeletonwitch at 7 p.m. $28.50.
Wasted Space: Hyper Crush at 10 p.m. 21-over.
House of Blues: Rise Against with Alkaline Trio, Thrice and The Gaslight Anthem at 5 p.m. $32-35, all ages.

Wednesday, November 5
House of Blues: Rise Against with Alkaline Trio, Thrice and The Gaslight Anthem at 5 p.m. $32-35, all ages.

Friday, November 7
Wasted Space: Jesse Dayton at 10 p.m. 21-over.
Jillian’s: Before Their Eyes, LoveHateHero, Eyes Set to Kill, A Kiss for Jersey, Oceana and Ice Nine Kills at 6 p.m. $12-14, all ages.

Saturday, November 8
Wasted Space: Jesse Dayton at 10 p.m. 21-over.
House of Blues: Robin Thicke at 7 p.m. $29.50-45, all ages.
Jillian’s (Hi Life): Billys Kid, Sarah’s Downstairs and Funky Jah Punkys at 10 p.m. $10, 18-over.

Monday, November 10
House of Blues: Joe Satriani and Mountain featuring Leslie West and Corky Laing at 7:30 p.m. $32-45, 21-over.

Tuesday, November 11
Wasted Space: The 88 with Satisfaction and Datcon Encoda at 10 p.m. $10, 21-over.
House of Blues: Dragonforce, Turisas and Powerglove at 5:30 p.m. $22-25, all ages.

Wednesday, November 12
The Joint: Mudvayne, 10 Years and Snot at 10 p.m. $33 and up.
House of Blues: Lordi, Lizzy Borden and Stolen Babies at 5:30 p.m. $17-25, all ages.

Friday, November 14
The Joint: Blues Traveler at 8 p.m. $25 and up.
Jillian’s: Aiden, Civet, God Or Julie and Ministry of Love at 6 p.m. $12-14, all ages.
Jillian’s (Hi Life): The Science, A Dog Named Dutch and Mastiv at 10 p.m. $10, 18-over.

Saturday, November 15
The Joint: Alanis Morissette and Alexi Murdoch at 8 p.m. $35 and up.
House of Blues: Face to Face at 6 p.m. $22-25, all ages.
Jillian’s (Hi Life): The Ruse at 10 p.m. $10, 18-over.

Sunday, November 16
House of Blues: Q-Tip with The Cool Kids and The Knux at 7 p.m. $30-32, all ages.
Jillian’s: Portugal the Man, Greyhound and Wintersleep at 6 p.m. $13-15, all ages.

Tuesday, November 18
House of Blues: Underoath, Saosin, The Devil Wears Prada and The Famine at 5 p.m. $20-22, all ages.

Wednesday, November 19
House of Blues: Who’s Bad: World’s #1 Michael Jackson Tribute Band at 7:30 p.m. $15-18, all ages.

Thursday, November 20
Jillian’s: Bring Me the Horizon, Misery Signals, The Ghost Inside and Johnny Truant at 5:30 p.m. $13-15, all ages.

Friday, November 21
Jillian’s (Hi Life): The Vermin, The Vegas Dolts and F.S.P. at 10 p.m. $10, 18-over.

Saturday, November 22
Wasted Space: Days of the New, Sponge and Rubber Side Down at 10 p.m. $20, 21-over.
House of Blues: Matisyahu, Flobots and Chester French at 6 p.m. $28-32, all ages.
Jillian’s (Hi Life): Old Iron Sights, Carvavels and The Fucking Orange at 10 p.m. $10, 18-over.

Sunday, November 23
House of Blues: In Flames, All That Remains, Gojira and 36 Crazyfists at 5 p.m. $19.50-22, all ages.
Jillian’s (upstairs): MC Lars, MC Frontalot and Dyselxic Duo at 6 p.m. $10-12, all ages.

Tuesday, November 25
Jillian’s: Pierce the Veil, Breathe Carolina, Four Letter Lie, Emarosa and Serene at 6 p.m. $10-12, all ages.

Friday, November 28
House of Blues: The Sisters of Mercy with Hypernova at 8:30 p.m. $30-35, 21-over.
Jillian’s: Otep, Walls of Jericho, Ill Nino, Within Chaos, Shatterance and Broken End at 6 p.m. $17-2, all ages.
Jillian’s (Hi Life): A Crowd of Small Adventures and The Vinyl Clouds at 10 p.m. $10, 18-over.

Saturday, November 29
House of Blues: Bell Biv Devoe at 8 p.m. $30-40, 21-over.
Jillian’s (Hi Life): Babilos at 10 p.m. $10, 18-over.

Sunday, November 30
The Joint: The Australian Pink Floyd Show at 8 p.m. $29.50 and up.

If the measure of a band’s success these days is it’s appearance on an interactive, virtual music playing video game – as opposed to those antiquated concepts such as airplay, album sales and concert bookings – then Las Vegas’ own The Day After… has “made it.” The three-piece alternative rock band has landed its song “Car Crash,” from 2006’s album A Different Way to Get By, onto the song list of XS Games’ PopStar Guitar, a new “music rhythm game” coming soon to Wii and Playstation 2.

The Day After… is in good company on the apparent Rock Band knock-off, joined by such bands as Fall Out Boy, Paramore and All-American Rejects. PopStar Guitar differentiates itself from Guitar Hero and Rock Band by offering more pop-friendly song selections, and instead of licensed guitar controller replicas from Fender and Gibson, PopStar Guitar uses proprietary “AirG” controllers – essentially, two wireless Wii handle attachments. Look for the game to hit stores by November.

This week’s just about halfway over, but there are some dope events we kinda figured you shouldn’t miss, so without further adieu, here’s what’s what in Las Vegas this week:

“Bottom For Queen,” a new exhibition by UNLV graduate Daniel Samaniego, debuts this Friday, Oct. 24 at Henri & Odette (124 S. Sixth St.). A reception for the artist will be held from 6 to 8 p.m., and the show will be ony display at the gallery through Dec. 6.

IndieKrush.com and Pulsar Presents brings another edition of Say What?! to Beauty Bar (517 Fremont St.) this Saturday, Oct. 25, joining forces with Los Angeles’ Bring the Ruckus to present “Blood Orgy.” Outside, live bands The Frail, Dream Sequence, Pic Vicious, Big Friendly Corporation and Neon Facade will rock the stage along with fire mistress Jenn-o-Cide and DJ Know Well, while inside, Bul!m!atron, Dskotek, Roccanova, Grimehaus, MDY and Remy the Restless will spin dirty electro, nu-rave and indie tunes all night long. Look for free candy, a photo booth, beer pong and much more. The madness gets underway at 9 p.m., and entry is free for the bar, and only $5 for the live music.

Just around the corner at Jillian’s (450 Fremont St.) that same night, the Second Annual Searchlight and Friends Halloween show kicks off at 6 p.m. This all-ages show features Lydia Vance, Almost Normal, Hang ‘Em High and Damnear Divine along with headliner Searchlight, all for $10. Plus, a $1 raffle will be held, with all proceeds going to the local chapter of the Juvenile Diabetes Research Foundation. Rock out for a good cause before you shake ya ass over at Beauty Bar!

It would be easy to take the cynical, music-critic approach to reviewing last night’s kick-off concert of The Killers’ fall U.S. tour at the House of Blues in Las Vegas. They boys have made themselves somewhat easy fodder, what with their meteoric rise, direction-shifting, critically confusing sophomore album and mixed reception to the first single, “Human,” from the band’s forthcoming Nov. 25 third album, Day & Age.

But the fact is, Las Vegas’ biggest musical export not named Panic at the Disco put on a terrific performance to a sold-out, energetic crowd on Monday, coming out of the gate strongly with a 90-minute set comprised of 18 songs spanning the band’s career. And as usual, The Killers – Brandon Flowers, Ronnie Vannucci, Dave Keuning and Mark Stoermer for those of you not familiar – made their Vegas show a special event.

Opening band Neon Trees kicked things off with a tight set of glammed-up synth rock that can only be described thusly: Duran Duran covering early U2 with Perry Farrell and Maynard James Keenan’s love child on vocals. Seriously. As good as they were, though, the question must be asked: How did this unsigned band get booked as the only supporting act for The Killers on its first two dates? We’re guessing Neon Trees bassist Branden Campbell had something to do with it – the Bonanza High School graduate played in a few local bands years ago with Vannucci (then again, who didn’t?), including an early lineup of Attaboy Skip.

By the time The Killers took to the HOB stage about 9:30 p.m., the crowd was more than warmed up – these people received the band as if it was bringing water to a desert-stranded party. According to some early arrivers we spoke to, people were lined up outside the venue since the previous night. That’s dedication, though we’re not sure it’s healthy. Either way, from the opening guitar strum of “When You Were Young,” the audience was in full sing-along, jump-along, whatever-along mode. And from the get-go, Flowers – who appears to have shed about 25 pounds from previous public appearances – gave a non-stop, expressive performance, proving that despite his sometimes-weak vocals, he has become a showman par excellence, a long cry from his shy beginnings. He may have worked too hard – the 27-year-old lead singer wasn’t feeling well enough to perform at the Warfield in San Francisco tonight, that show getting postponed to Dec. 12.

Augmented by 23-year-old Ray Suen on guitar, keyboards and violin, the band tore through fan favorites such as “Smile Like You Mean It,” “Somebody Told Me,” “Read My Mind,” “Bones” and “Mr. Brightside.” Local musician Tommy Marth joined the band for a few numbers on saxophone and background vocals, including the new song “Losing Touch,” a ‘70s throwback that sounds something like Bruce Springsteen teaming up with Bob Seger to perform a Jeff Lynne composition.

After a short break following a 14-song set, the band returned for an encore that included “Human” (which, admittedly, sounds much better live than on disc), Joy Division’s “Shadowplay” and the iconic closing number, “All These Things That I’ve Done.” Flowers paid tribute to his home state by singing “Home Means Nevada,” the state song that every elementary schooler learns by rote in the Silver State. It was a touching moment, even when the singer flubbed mid-song and started over.

Between the local loyalty, earnest showmanship and crowd-pleasing tunes, the band can be forgiven its questionable new songs (we didn’t even mention the all-out disco tune, complete with congas, did we?) and sometime-reliance on the crowd to do Flowers’ job. Love them or hate them, The Killers deliver when most needed, and people keep on loving them for it.

Did you know that Eagles of Death Metal is playing a totally free show at Beauty Bar Las Vegas (517 Fremont St.) on Nov. 4? No? Well, now you do. Josh Homme’s band that isn’t Queens of the Stone Age is headlining “Antics,” an Election Day after-party sponsored by Toyota Matrix. Did you know I drive a Matrix? No? Well, now you do.

As this is a party, not only will Eagles of Death Metal be rocking out, but there will also be DJs, T-shirt silk-screening and Rock Band playing inside customized Matrix models. And, of course, a bunch of anorexic boys and girls in skinny jeans drinking Pabst Blue Ribbon. Attendance is free, so long as you RSVP at the special Antics website. BUT …

Want to win some cool stuff as well? How about two VIP passes for the show? An Antics T-shirt? Um … how about we toss in a copy of Eagles of Death Metal’s new CD, Heart On? Sound good? Well, then, enter the VEGASinsight Eagles of Death Metal Contest now. It’s easy: Just drop an e-mail to eodmcontest@vegasinsight.net with your full name, mailing address and phone number, and we’ll pull a random winner from all e-mails received on Oct. 27. The rules are simple: You have to be over 21, and you have to submit your e-mail by 11:59 p.m. (PST) Oct. 26, 2008.

Good luck and remember: Early voting in Nevada started Oct. 18, so quit slacking and get voting!

If there is one night of the year in Las Vegas that rivals New Year’s Eve for “Most Ridiculous Number of Events Happening at Once,” it’s Halloween. 2008 is no different. It’s only Oct. 14, and already we’ve been inundated with information on dozens of events being held this Oct. 31. From raves and parties to concerts and costume contests, there simply has to be something out there for you if you find yourself in Sin City this All Hallows Eve. Here’s a round-up of our picks — thus far — in no particular order:

House of Blues: Apocalyptica at 7 p.m. $20-22, all ages.

Jillian’s: Cobra Starship, The Sickest Kids, Hit the Lights and Sing It Loud at 6 p.m. $15-28, all ages.

Jillian’s (Hi Life): Super Martian Robots, Van Nuys and Exit Ghost at 10 p.m. $10, 18-over.

Double Down Saloon: The Dirty Panties, Betting on Tomorrow, The Quitters and Million Kids at 10 p.m. Free, 21-over.

Flamingo Hotel & Casino, Sunset Ballrooms: “Devils Night XI,” featuring 20,000 square feet of dance space, Halloween sets, video screens, massive sound and lights and three separate areas. Mainstage: DJ Irene, Charles Feelgood, The Autobots, Robert Oleysyck, Donovan & Duff and Jayrod vs. CJ Allen. Indie Electro Stage: Le Castle Vania, Computer Club, Mezzy, Teen Wolf, James Demon and Kinekt. D’N'B Area: Gigantor (Evol Intent), Infiltrata & MC Dre, Prime Mover vs. Chuck B, King, Feight with The Specialist and Risky Business. Admission is $38.50 and is open to guests 18 and over (must be 21 to drink). Tickets available at Groovetickets.com.

Voodoo Lounge: “Spellbound Soiree” featuring DJ L-1 spinning hip-hop and house on the patio, V51 performing Top 40 hits live inside and a costume contest with $5,000 in cash prizes. Doors at 7 p.m. $20 ladies, $30 gentlemen, 21-over.

Christian Audigier The Nightclub: Tila Tequila birthday costume party featuring DJ CyberKid. 21-over.

Studio 54: “Nightmare on 54th Street” featuring DJ Jose 2 Hype and a costume contest with more than $12,000 in cash prizes. 21-over.

LAX: Halloween Fright Fest featuring Jonathan Davis of Korn. 21-over.

Risqué de Paris: Halloween Bash presented by Superestrella 92.7, featuring DJ Dave Guzman spinning Latin hits and 2-for-1 Bud Light Lime all night. Doors at 10:30 p.m. $20 (free for local ladies), 21-over.

South Padre (Texas Station): “Heroes and Villians” Halloween party featuring DJ BKNY spinning Top 40 and a super-power themed costume contest from 9 p.m. to 2 a.m. $5, 21-over, no masks, full face paint or weapons.