Bleeding Neon

There’s a longer story behind my article in this week’s Vegas Seven, “Conventional Approach,” which explores the challenges of becoming a professional comic book writer from a somewhat personal perspective. First, you should go read it (in HTML or Flash), and linger over the nifty sequential illustration my man Hernan Valencia (he of Utopian cover fame) did to accompany it.

This piece started back in March as a vague assignment from the A&E editor (and good friend) at Seven, Cindi Reed, when I went to Seattle for Emerald City Comic-Con. She basically told me, “If you have something interesting to write about, send it to me.” But I don’t think I did. Or, at least, I didn’t at the time. I sent a sort-of rushed, half-assed 500 words to her, nothing worth reproducing here, and the response was something to the effect of “maybe something more than a blog post?”

I decided it wasn’t really worth revising. But then something struck me as spring wore on: What about a feature about the struggles of becoming a comic writer tied into San Diego Comic-Con, littered with suggestions and stories from those who’ve endured such struggles? I pitched it, Cindi liked it, gave me twice the space, and off I went. I talked to a number of writers and editors of all levels, put together a nice piece, turned it in way early, and … now I had gone too far from the “blog post,” completely cutting out the personal.

So the piece you now have the pleasure of reading is the hybrid of my own experiences and those of others, compressed into about 1100 words. Sadly, due to the revisions, some folks I interviewed had all their quotes cut. Those folks interviewed, by the way, include writers Steve Horton, Paul Tobin and Brandon Jerwa and editor Jill Beaton, all of whom are awesome people who deserve your money or cupcakes. I’m thinking about revisiting the more objective approach and beefing it up with the massive amount of unused interview material for a longer piece to pitch to a more writing-specific outlet.

You know, when I’m not spending time making comics.

p.s. You should check out the cover story by pal and Seven music columnist Jarret Keene about artist John Bell, because John Bell is awesome and I think you should buy me one of his paintings for Christmas.

I packed so much into the quickly passing four days spent in the San Diego area this past weekend, I wasn’t sure where to start with my recap, so I’m going to let my poorly composed and intermittently shoddy camera phone photos help structure the tale of Comic-Con International 2009.

Due to a combination of other obligations and financial restrictions, Sara and I missed the preview night of Comic-Con (Wednesday) and the opening day (Thursday). We drove down in the AwesomeMobile Thursday afternoon, arriving at our hotel, a Courtyard by Marriott about 15 minutes from downtown San Diego, about 6 p.m. That’s the view from our room up above. Thursday night we took a winding drive on a search for food through University City and La Jolla, eventually ending up in Del Mar. Just in time to catch a pizza joint just as it was closing. Because in Del Mar, apparently pizza after 9 p.m. is just unheard of. (continue reading…)

We’re about to round a corner with the completion of this week’s two pages from The Utopian. Page 31 is now live, but Friday’s strip is not only the tense conclusion of Part 4 of the serial (“Out of the Closet”), but also will be the last page in the first print collection, which will be released this fall. I received cover art from Mark T. Zeilman (also bass player in a certain awesome local rock band) last week, and, well, I am trying really hard not to post it yet, because it’s pretty rad.

As I’m heading to San Diego for Comic-Con International tomorrow, there will be no new Utopian pages posted next week, but I’ll be back with Part 5, “Revelations,” the first week of August. Which is, coincidentally, 33rd Annual International Pj Week. Bring your party hats.

I’m sure I’ll have all sorts of news for you after I get back from Comic-Con, but until then, chew on the latest article I posted on Examiner.com about Nevada Ballet Theatre’s fall season, and keep your eyes out for tomorrow’s Las Vegas Weekly, in which there should be a Pj-penned article about fast-rising Vegas electro-core band This Romantic Tragedy.

Oh yeah, if you want to be really amused, check out Cracked.com’s “Worst Webcomic” forum, in which the forum trolls dwelling there do their best to ooze snarky criticisms all over The Utopian. Of course, since someone started posting links to my webcomic over there, traffic on my site has increased hundredfold, so I guess that goes to prove, once again, there’s no such thing as bad press. If I get really bored one of these days (because, you know, that happens), I might address each of their complaints in a blog post in my own refined and delicate manner.

And to end on a more positive note, how about good press? Internet pals Kevin Church, Benjamin Birdie, Max Riffner and others get some love for their webcomics over at NPR.com, which is about the most awesome sauce you’ll ever taste.

As I mentioned last week, San Diego Comic-Con starts next week, specifically July 22 (preview night) and runs through July 26.  It’s by far the most well-attended and media-saturated pop culture convention in the United States, a fact that has become both a boon and drawback for both creators and fans over the last few years. Sure, it’s great that the sequential art/animation/genre fiction industries are experiencing such popularity and growth. But it’s also created a clusterf*ck in San Diego for about a week every July, both in and around the San Diego Convention Center.

Unlike Las Vegas, San Diego does not have more than 100,000 hotel rooms within minutes of the convention center. Hell, it barely has 50,000 in the metro area. Rooms get reserved quickly and the ones left are pricey. I reserved mine back in the early spring, maybe even winter, and even then, the closest I could get to the center for less than $200 was a Courtyard by Marriott near the airport. By comparison, our last trip there in the spring got us a room five or six blocks from the bay with a towering view of the city for about $125/a night.

But I digress. While I was able to get my professional credentials for this year’s geekfest, I missed the deadline for a small press or Artist Alley table reservation. So, as described over at Pop! Goes the Icon, I’ll be wandering around the convention halls with a bag full of goodies, including the items found inside this box:

Yep, extremely limited-edition (only 50!) Comic-Con exclusive print samplers of The Utopian, ready for the unsuspecting public. These will be handed out for free to whatever suckers want them in San Diego, so if that’s you and you’ll be down there, I highly recommend letting me know ahead of time, and I’ll hold a copy for you to grab from me there. Otherwise, if you want a print edition of my ongoing webcomic, I recommend waiting for the official first issue this fall, which will have nifty bonus materials well worth the $3.50 cover price. More on that later.

Oh, you have been keeping up with the webcomic, right? Because some sh*t is going to happen next week you’ll need to be prepared for.

I will have other comic-related news to announce soon, including the next title from Pop! Goes the Icon. Stay tuned.

HEARTY DISCLAIMER: The girlfriend and I are in the middle of buying a house, and the lender is playing the shell game with the closing date. So there is a chance this whole trip could get borked, but I’m really hoping that doesn’t happen. If it does, I will make sure a deputy is down there to distribute materials, but I would like you all to pray to whatever god or demon you love that everything goes fine next week. Thanks for your support.

It’s not exactly an Emmy, Pulitzer or Eisner, but as someone not used to winning anything, I figured I had to share this with you fine people: Yesterday, The Write Blog announced the winners of the Write On! Online/Write Environment Query Contest. And who won first place in the Teleplay category?

Me, bitches.

Will it get that pitch anywhere? Who knows. Part of taking first place is having the query read by David Boxerbaum, a senior literary agent at APA talent agency. So, maybe. Or not. If nothing else, it got that TV series pitch out of the growing pit known as my Google Docs account and in front of someone’s eyes.

In the meantime, I’m on deadline for two stories at two different publications, trying to get caught up with The Utopian before San Diego Comic-Con sneaks up on me (in two weeks!), working with my band to find a producer with whom to record and closing on a house. Oh, and apparently, failing to get paid by What’s On magazine.

Speaking of Comic-Con, if you’re going to be there, I have semi-complete details on how to hook up with me there posted over at the Pop! Goes the Icon website.