
I spent six months researching, writing and illustrating the state of redevelopment in downtown Henderson for Vegas Seven. Now the story can be told.

I spent six months researching, writing and illustrating the state of redevelopment in downtown Henderson for Vegas Seven. Now the story can be told.
Like the rest of America this weekend, I ventured to my local cineplex to catch a showing of that quaint indie flick everyone’s talking about, Iron Man 2. As you probably know, I don’t really like reviewing things, but I have been trying to figure out why the first Iron Man film was so much better than this sequel – or at least why I enjoyed the original more – and in the process, started making lists in my head of the things I liked and didn’t. Now you get to share in that process:
Overall, I enjoyed it. It was enjoyable. But it felt very full of itself, like director Jon Favreau got a little cocky following the success of Iron Man and just went balls out with everything he could. And really, you can’t blame the guy for trying, but if there’s to be a third film – and after Iron Man 2 hauled in $133 million in three days, does anyone think there won’t be? – Favreau (and writer Justin Theroux) would do well to trim the fat and avoid the mistakes of other superhero film franchises such as X-Men and Spider-Man (both of which were bloated and nonsensical by their third installments).
Oh man, you guys, I really love your enthusiasm and support. I really do. However, while a few of you sniffed out the fishiness abound in my April 1 post, not nearly enough of you connected the dots on this one — which is fair, as I kinda targeted the announcement about my alleged forthcoming Marvel Comics series, Iron Man: Agent of A.I.M. to my friends in the comic industry.
But really, I think the problem is, the punchline of the post was this “one-page preview” image which apparently few visitors clicked to view:
Yes, readers of my old geek-in-review blog will recognize this as a page from A.I.M.2: Power Corrupts, a graphic novel I wrote and drew when I was, um, 15 years old, a project I found going through some old files last year and mockingly reviewed over a few posts on the Pop! Goes the Icon blog. It’s funny stuff, if you’re into that sort of thing.
The truth is, yes, I actually AM working on a few comic book pitches, but they’re what we call “creator-owned properties,” and not of the mainstream, spandex-clad variety (not that there’s anything wrong with that!). I’ve been pretty secretive about this stuff because, as mentioned in the April Fool’s post but actually fully sincere, I don’t like to publicly air details on projects that are not absolutely done, ready-for-press deals. But I will say this: The main project I’m shopping right now is something like the mash-up of 24, Heroes and the Bourne series of films. If that sort of super-powered, fugitive, espionage, secret government agency type of stuff is up your alley, well then my friend, hang tight and save your pennies.
Otherwise, a heartfelt “thanks” to all my friends and visitors who so robustly congratulated me on “news” delivered during an April Fool’s blog post. As I lamented on Twitter that day, you really can’t trust a single news story, headline or blog post with an April 1 date anymore. Really.
Oh man, you guys, I really love your enthusiasm and support. I really do. However, while a few of you sniffed out the fishiness abound in my April 1 post, not nearly enough of you connected the dots on this one — which is fair, as I kinda targeted the announcement about my alleged forthcoming Marvel Comics series, Iron Man: Agent of A.I.M. to my friends in the comic industry.
But really, I think the problem is, the punchline of the post was this “one-page preview” image which apparently few visitors clicked to view:
Yes, readers of my old geek-in-review blog will recognize this as a page from A.I.M.2: Power Corrupts, a graphic novel I wrote and drew when I was, um, 15 years old, a project I found going through some old files last year and mockingly reviewed over a few posts on the Pop! Goes the Icon blog. It’s funny stuff, if you’re into that sort of thing.
The truth is, yes, I actually AM working on a few comic book pitches, but they’re what we call “creator-owned properties,” and not of the mainstream, spandex-clad variety (not that there’s anything wrong with that!). I’ve been pretty secretive about this stuff because, as mentioned in the April Fool’s post but actually fully sincere, I don’t like to publicly air details on projects that are not absolutely done, ready-for-press deals. But I will say this: The main project I’m shopping right now is something like the mash-up of 24, Heroes and the Bourne series of films. If that sort of super-powered, fugitive, espionage, secret government agency type of stuff is up your alley, well then my friend, hang tight and save your pennies.
Otherwise, a heartfelt “thanks” to all my friends and visitors who so robustly congratulated me on “news” delivered during an April Fool’s blog post. As I lamented on Twitter that day, you really can’t trust a single news story, headline or blog post with an April 1 date anymore. Really.
As many of you know, aside from the usual freelance journalism, rock ‘n’ roll drumming and internet self-promotion in which I immerse myself to fill up every nook and cranny of each day, I’ve also been working on pitching a comic book series or two to various publishers. And as you also likely know if you’ve been following my exploits for a while, I keep things under wraps until they’re confirmed and ready to announce. So today I’m pleased to pull back the veil on the latest fruit of my labor. It’s a four-issue limited series for Marvel Comics, a deal I just signed the faxed contract on yesterday, and can now share. The title?
Iron Man: Agent of A.I.M.
If you’ve been reading Marvel Comics for the last year or so, you’ll know that after the end of Civil War, Tony Stark, a.k.a. Iron Man, became not only director of S.H.I.E.L.D., but also head of the 50-state Avengers Initiative. But after a nearly successful invasion of the Earth by the shape-shifting Skrulls, Stark was not only excommunicated from the Avengers and fired from S.H.I.E.L.D., but also effectively became a fugitive.
Well, in Agent of A.I.M., Iron Man takes over Advanced Idea Mechanics, the multinational weapons developer and supplier of destructive devices to the super-criminal community. Why? Covertly, to take on the new head of S.H.I.E.L.D. replacement agency H.A.M.M.E.R., Norman Osborn (also known as Iron Patriot), and dismantle A.I.M. from the inside while doing it. This tale of intrigue, deception, romance and over-the-top action culminates in a no-hold-barred final showdown between Iron Man and Iron Patriot!
It’s coming this summer to a comic shop near you, and as soon as I have more details, I’ll post exact dates and what not. For now, satiate yourselves with this one-page preview from the first issue. Excelsior!
The internet’s greatest comic book blogger, Chris Sims, of the Invincible Super-Blog, is running his third annual 30-Second Recap Contest, in which contestants create (typically poor quality) retellings of comic book storylines past or present. Sims set some high standards himself, and few can match his wit, charm or, um, crayon skills, but that doesn’t stop us from trying.
In 1989 or ’90, John Byrne took over the writing duties on Marvel Comics’ Iron Man title for a very brief period, in which he was stuck having to fulfill the sequel to a popular story arc from a few years prior called “Armor Wars.” Of course, Byrne’s story ended up having absolutely nothing to do with the original, which had Tony Stark’s alter ego Iron Man hunting down unauthorized uses of his patented armor technology, kind of like a one-man, heavily-armed RIAA.
“Armor Wars II” ended up being some sort of allegory for Stark’s corporate and personal lifestyle choices, I think, but really, it didn’t make very much sense nor did it advance the title’s characters or plots in any significant way. But it did feature the art of my favorite comic book artist, John Romita, Jr., and, well, to save you the pain of those seven-odd issues, here’s my 30-second (give or take a few minutes) recap of “Armor Wars II”…
The internet’s greatest comic book blogger, Chris Sims, of the Invincible Super-Blog, is running his third annual 30-Second Recap Contest, in which contestants create (typically poor quality) retellings of comic book storylines past or present. Sims set some high standards himself, and few can match his wit, charm or, um, crayon skills, but that doesn’t stop us from trying.
In 1989 or ’90, John Byrne took over the writing duties on Marvel Comics’ Iron Man title for a very brief period, in which he was stuck having to fulfill the sequel to a popular story arc from a few years prior called “Armor Wars.” Of course, Byrne’s story ended up having absolutely nothing to do with the original, which had Tony Stark’s alter ego Iron Man hunting down unauthorized uses of his patented armor technology, kind of like a one-man, heavily-armed RIAA.
“Armor Wars II” ended up being some sort of allegory for Stark’s corporate and personal lifestyle choices, I think, but really, it didn’t make very much sense nor did it advance the title’s characters or plots in any significant way. But it did feature the art of my favorite comic book artist, John Romita, Jr., and, well, to save you the pain of those seven-odd issues, here’s my 30-second (give or take a few minutes) recap of “Armor Wars II”…